Revelation 8
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Revelation 8
The Seventh Seal: Silence in Heaven
1And when he had opened the seventh seal, there was silence in heaven about the space of half an hour.
Jamieson-Fausset-Brown
CHAPTER 8
Re 8:1-13. Seventh Seal. Preparation for the Seven Trumpets. The First Four and the Consequent Plagues.
1. was--Greek, "came to pass"; "began to be."
silence in heaven about ... half an hour--The last seal having been broken open, the book of God's eternal plan of redemption is opened for the Lamb to read to the blessed ones in heaven. The half hour's silence contrasts with the previous jubilant songs of the great multitude, taken up by the angels (Re 7:9-11). It is the solemn introduction to the employments and enjoyments of the eternal Sabbath-rest of the people of God, commencing with the Lamb's reading the book heretofore sealed up, and which we cannot know till then. In Re 10:4, similarly at the eve of the sounding of the seventh trumpet, when the seven thunders uttered their voices, John is forbidden to write them. The seventh trumpet (Re 11:15-19) winds up God's vast plan of providence and grace in redemption, just as the seventh seal brings it to the same consummation. So also the seventh vial, Re 16:17. Not that the seven seals, the seven trumpets, and the seven vials, though parallel, are repetitions. They each trace the course of divine action up to the grand consummation in which they all meet, under a different aspect. Thunders, lightnings, an earthquake, and voices close the seven thunders and the seven seals alike (compare Re 8:5, with Re 11:19). Compare at the seventh vial, the voices, thunders, lightnings, and earthquake, Re 16:18. The half-hour silence is the brief pause GIVEN TO John between the preceding vision and the following one, implying, on the one hand, the solemn introduction to the eternal sabbatism which is to follow the seventh seal; and, on the other, the silence which continued during the incense-accompanied prayers which usher in the first of the seven trumpets (Re 8:3-5). In the Jewish temple, musical instruments and singing resounded during the whole time of the offering of the sacrifices, which formed the first part of the service. But at the offering of incense, solemn silence was kept ("My soul waiteth upon God," Psa 62:1; "is silent," Margin; Psa 65:1, Margin), the people praying secretly all the time. The half-hour stillness implies, too, the earnest adoring expectation with which the blessed spirits and the angels await the succeeding unfolding of God's judgments. A short space is implied; for even an hour is so used (Re 17:12; 18:10, 19).
CHAPTER 8
Re 8:1-13. Seventh Seal. Preparation for the Seven Trumpets. The First Four and the Consequent Plagues.
1. was--Greek, "came to pass"; "began to be."
silence in heaven about ... half an hour--The last seal having been broken open, the book of God's eternal plan of redemption is opened for the Lamb to read to the blessed ones in heaven. The half hour's silence contrasts with the previous jubilant songs of the great multitude, taken up by the angels (Re 7:9-11). It is the solemn introduction to the employments and enjoyments of the eternal Sabbath-rest of the people of God, commencing with the Lamb's reading the book heretofore sealed up, and which we cannot know till then. In Re 10:4, similarly at the eve of the sounding of the seventh trumpet, when the seven thunders uttered their voices, John is forbidden to write them. The seventh trumpet (Re 11:15-19) winds up God's vast plan of providence and grace in redemption, just as the seventh seal brings it to the same consummation. So also the seventh vial, Re 16:17. Not that the seven seals, the seven trumpets, and the seven vials, though parallel, are repetitions. They each trace the course of divine action up to the grand consummation in which they all meet, under a different aspect. Thunders, lightnings, an earthquake, and voices close the seven thunders and the seven seals alike (compare Re 8:5, with Re 11:19). Compare at the seventh vial, the voices, thunders, lightnings, and earthquake, Re 16:18. The half-hour silence is the brief pause GIVEN TO John between the preceding vision and the following one, implying, on the one hand, the solemn introduction to the eternal sabbatism which is to follow the seventh seal; and, on the other, the silence which continued during the incense-accompanied prayers which usher in the first of the seven trumpets (Re 8:3-5). In the Jewish temple, musical instruments and singing resounded during the whole time of the offering of the sacrifices, which formed the first part of the service. But at the offering of incense, solemn silence was kept ("My soul waiteth upon God," Psa 62:1; "is silent," Margin; Psa 65:1, Margin), the people praying secretly all the time. The half-hour stillness implies, too, the earnest adoring expectation with which the blessed spirits and the angels await the succeeding unfolding of God's judgments. A short space is implied; for even an hour is so used (Re 17:12; 18:10, 19).
The Pulpit Commentary
And when. Καὶ ὅταν, instead of καὶ ὅτε (as in the other seals), is read in A, C, and gives a certain indefiniteness which does not belong to any of the rest (Alford). Ὅτε is, however, found in א, B, P, Andreas. He had opened the seventh seal; he opened. As in the case of the other seals, the silence accompanies the opening (see on Rev_6:1, Rev_6:3, Rev_6:5, etc.). This completes the number, and sets the roll free (Rev_5:1). The contents of the roll do not, however, become visible, nor are they portrayed otherwise than by the silence of half an hour (see on Rev_5:1). There was silence in heaven; there followed a silence (Revised Version); a silence became; i.e. where there had not been silence previously, owing to the praises set forth at the close of Rev_7:1-17. This image may have been suggested by the silence kept by the congregation without, while the priest offered incense within, the temple (cf. Luk_1:10). This thought, too, may have led to the following vision, in which the angel offers incense (Rev_7:3), and in this souse the vision of the trumpets may be said to have grown out of the seventh seal, though a similar act precedes the visions of the seals (see Rev_5:8). But in no other way is there any connection between the two visions; the events narrated under the vision of the trumpets are not an exposition of the seventh seal, but a separate vision, supplementing what has been set forth by the seven seals. The silence is typical of the eternal peace of heaven, the ineffable bliss of which it is impossible for mortals to comprehend, and which is, therefore, symbolized by silence. In the same way the new name is left unexplained, as something beyond the knowledge of man in this life, and reserved for the life in heaven (see on Rev_3:12). It is the sabbath of the Church's history, into the full comprehension of which man cannot now enter. The interpretation of this seal varies with different writers, according to the view taken of the vision as a whole. Bede, Primasius, Victorinus, Wordsworth, agree in considering that it denotes the beginning of eternal peace. Those who take the preterist view variously assign the silence to
(1) the destruction of Jerusalem (Manrice);
(2) A.D. 312-337 (King);
(3) the period following A.D. 395 (Eiliott);
(4) the millennium (Lange);
(5) the decree of Julian imposing silence on the Christians (De Lyra), etc.;
Vitringa thinks it relates to the time when the Church will be triumphant on earth; Hengstenberg, the astonishment of Christ's enemies; Ebrard, the silence of creation in awe at the catastrophes about to happen; and Dusterdieck, similarly, the silence of those in heaven, waiting for the same events. About the space of half an hour. Most writers are agreed that the half hour represents a short time. But if (as we have indicated above) the silence is typical of the eternal rest of heaven, how can it be short? Possibly the answer is that the shortness refers to the time during which the seer was contemplating this aspect of the vision. He had now arrived at the end; the fate of the Church had been in some measure foreshadowed, and the final assurance is peace in heaven. That part of the fate in store for the Church cannot be expounded by the seer. He is permitted, as it were, to visit the threshold for an instant, and then he is called away. His message is not yet complete; he is summoned to receive yet further revelations. But may not the half hour signify "a long time"? The seer, in his vision, after beholding a succession of events, experiences a pause—complete silence for the space of half an hour. This time would appear almost interminable in such circumstances; and the phrase may therefore be intended to express "an exceedingly lengthened period," such as a stillness of such a length in the midst of numbers would appear to St. John. Here, then, closes the vision of the seals. The first four, prefaced by the assurance of final victory, deal with events more immediately connected with this life, and explain to the suffering Christian of all ages that it is part of God's eternal purpose that he should be exposed to persecution, trial, and temptation while in the world, and that such suffering is not the result of God's forgetfulness or heedlessness. The last three seats refer to three sets of events connected with the life hereafter. The fifth shows the security of those who have departed this life; the sixth portrays the safe gathering of God's own, and the fear and condemnation of the unjust at the judgment day; the seventh affords a prospect rather than a sight of the eternal sabbath of heaven, undescribed because indescribable. The whole is thus completed; the seer is called away to review the ages once more—to behold new visions, which shall impress more fully, and supplement, the truths which the visions of the seals have, in a measure, revealed.
And when. Καὶ ὅταν, instead of καὶ ὅτε (as in the other seals), is read in A, C, and gives a certain indefiniteness which does not belong to any of the rest (Alford). Ὅτε is, however, found in א, B, P, Andreas. He had opened the seventh seal; he opened. As in the case of the other seals, the silence accompanies the opening (see on Rev_6:1, Rev_6:3, Rev_6:5, etc.). This completes the number, and sets the roll free (Rev_5:1). The contents of the roll do not, however, become visible, nor are they portrayed otherwise than by the silence of half an hour (see on Rev_5:1). There was silence in heaven; there followed a silence (Revised Version); a silence became; i.e. where there had not been silence previously, owing to the praises set forth at the close of Rev_7:1-17. This image may have been suggested by the silence kept by the congregation without, while the priest offered incense within, the temple (cf. Luk_1:10). This thought, too, may have led to the following vision, in which the angel offers incense (Rev_7:3), and in this souse the vision of the trumpets may be said to have grown out of the seventh seal, though a similar act precedes the visions of the seals (see Rev_5:8). But in no other way is there any connection between the two visions; the events narrated under the vision of the trumpets are not an exposition of the seventh seal, but a separate vision, supplementing what has been set forth by the seven seals. The silence is typical of the eternal peace of heaven, the ineffable bliss of which it is impossible for mortals to comprehend, and which is, therefore, symbolized by silence. In the same way the new name is left unexplained, as something beyond the knowledge of man in this life, and reserved for the life in heaven (see on Rev_3:12). It is the sabbath of the Church's history, into the full comprehension of which man cannot now enter. The interpretation of this seal varies with different writers, according to the view taken of the vision as a whole. Bede, Primasius, Victorinus, Wordsworth, agree in considering that it denotes the beginning of eternal peace. Those who take the preterist view variously assign the silence to
(1) the destruction of Jerusalem (Manrice);
(2) A.D. 312-337 (King);
(3) the period following A.D. 395 (Eiliott);
(4) the millennium (Lange);
(5) the decree of Julian imposing silence on the Christians (De Lyra), etc.;
Vitringa thinks it relates to the time when the Church will be triumphant on earth; Hengstenberg, the astonishment of Christ's enemies; Ebrard, the silence of creation in awe at the catastrophes about to happen; and Dusterdieck, similarly, the silence of those in heaven, waiting for the same events. About the space of half an hour. Most writers are agreed that the half hour represents a short time. But if (as we have indicated above) the silence is typical of the eternal rest of heaven, how can it be short? Possibly the answer is that the shortness refers to the time during which the seer was contemplating this aspect of the vision. He had now arrived at the end; the fate of the Church had been in some measure foreshadowed, and the final assurance is peace in heaven. That part of the fate in store for the Church cannot be expounded by the seer. He is permitted, as it were, to visit the threshold for an instant, and then he is called away. His message is not yet complete; he is summoned to receive yet further revelations. But may not the half hour signify "a long time"? The seer, in his vision, after beholding a succession of events, experiences a pause—complete silence for the space of half an hour. This time would appear almost interminable in such circumstances; and the phrase may therefore be intended to express "an exceedingly lengthened period," such as a stillness of such a length in the midst of numbers would appear to St. John. Here, then, closes the vision of the seals. The first four, prefaced by the assurance of final victory, deal with events more immediately connected with this life, and explain to the suffering Christian of all ages that it is part of God's eternal purpose that he should be exposed to persecution, trial, and temptation while in the world, and that such suffering is not the result of God's forgetfulness or heedlessness. The last three seats refer to three sets of events connected with the life hereafter. The fifth shows the security of those who have departed this life; the sixth portrays the safe gathering of God's own, and the fear and condemnation of the unjust at the judgment day; the seventh affords a prospect rather than a sight of the eternal sabbath of heaven, undescribed because indescribable. The whole is thus completed; the seer is called away to review the ages once more—to behold new visions, which shall impress more fully, and supplement, the truths which the visions of the seals have, in a measure, revealed.
The Seven Trumpets Given
2And I saw the seven angels which stood before God; and to them were given seven trumpets.
Jamieson-Fausset-Brown
2. the seven angels--Compare the apocryphal Tobit 12:15, "I am Raphael, one of the seven holy angels which present the prayers of the saints, and which go in and out before the glory of the Holy One." Compare Lu 1:19, "I am Gabriel, that stand in the presence of God."
stood--Greek, "stand."
seven trumpets--These come in during the time while the martyrs rest until their fellow servants also, that should be killed as they were, should be fulfilled; for it is the inhabiters of the earth on whom the judgments fall, on whom also the martyrs prayed that they should fall (Re 6:10). All the ungodly, and not merely some one portion of them, are meant, all the opponents and obstacles in the way of the kingdom of Christ and His saints, as is proved by Re 11:15, 18, end, at the close of the seven trumpets. The Revelation becomes more special only as it advances farther (Re 13:1-18; 16:10; 17:18). By the seven trumpets the world kingdoms are overturned to make way for Christ's universal kingdom. The first four are connected together; and the last three, which alone have Woe, woe, woe (Re 8:7-13).
2. the seven angels--Compare the apocryphal Tobit 12:15, "I am Raphael, one of the seven holy angels which present the prayers of the saints, and which go in and out before the glory of the Holy One." Compare Lu 1:19, "I am Gabriel, that stand in the presence of God."
stood--Greek, "stand."
seven trumpets--These come in during the time while the martyrs rest until their fellow servants also, that should be killed as they were, should be fulfilled; for it is the inhabiters of the earth on whom the judgments fall, on whom also the martyrs prayed that they should fall (Re 6:10). All the ungodly, and not merely some one portion of them, are meant, all the opponents and obstacles in the way of the kingdom of Christ and His saints, as is proved by Re 11:15, 18, end, at the close of the seven trumpets. The Revelation becomes more special only as it advances farther (Re 13:1-18; 16:10; 17:18). By the seven trumpets the world kingdoms are overturned to make way for Christ's universal kingdom. The first four are connected together; and the last three, which alone have Woe, woe, woe (Re 8:7-13).
The Pulpit Commentary
Form a preface to the vision of the trumpets, and serve both to connect this vision with what has gone before, and to indicate the cause of this further revelation. The series of mysteries embraced under the seals is completed, and has so far accomplished its purpose, which is to fortify the patience of the saints by the assurance of God's providence and their ultimate victory and reward. But this is only one part of the seer's mission; there is not only a message of encouragement to the faithful, but a warning for the worldly and apostate. No doubt the same ground is covered to some extent by both announcements; since what is encouragement and hope for the righteous is judgment for the wicked. But whereas, in the vision of the seals, the punishment of the wicked holds a subsidiary place, being only introduced for the purpose of demonstrating God's protection of the just, in the vision of the trumpets the destruction of the ungodly is the main theme, being intended, like the denunciations of the prophets of old, for a warning to those in sin, if haply any may yet be saved. It may, indeed, be said to be an answer to the cry in Rev_6:10, "How long, O Lord, holy and true, dost thou not judge and avenge our blood on them that dwell on the earth?" The same lout suffering delay of vengeance tempts the "foolish body" to say in his heart, "There is no God." While by the vision of the seals God is careful not to break the bruised reed, in the vision of the trumpets he vouchsafes a call to those who are less deserving of his consideration and mercy.
(1) The trumpets then form a series of visions denouncing God's judgments against the wicked.
(2) They form an independent vision, and do not grow out of the seventh seal, in the sense of portraying what is intended to be disclosed under that seal. The number seven, alike in the case of the seals and in that of the trumpets, indicates the complete nature of each series, which is moreover demonstrated by their general character.
(3) The incidents depicted are synchronous with those of the seals; that is to say, they relate to the history of mankind front the beginning to the end of time and the commencement of eternity.
(4) As in the case of the seals, they are general indications of God's judgments; and though particular events may be partial fulfilments, the complete fulfilment is in all time.
(5) In their general features there are some points of resemblance and some of difference on a comparison with the seals.
(a) They may be divided into groups of four and three. In both visions the first group of four deals more immediately with the natural world, the last group of three has more connection with the spiritual life.
(b) They terminate in a similar way, in the victory of the redeemed, who sing the praises of God.
(c) In both, greater elaboration or episode occurs after the sixth revelation.
(d) The nature of the seventh seal is undisclosed, and this is to a certain extent paralleled in the trumpets by the silence concerning the third and last woe.
(e) In consonance with the general purpose of the trumpets, there is no preliminary assurance of victory as with the first seal; this is reserved to the end.
(6) Several reasons may be suggested for the employment of the figure of trumpets, by which to announce each vision.
(a) It was the instrument in use among the Israelites for assembling people, either for warlike or peaceful purposes (cf. Num_10:1, Num_10:9, Num_10:10).
(b) It was thus intimately connected with solemn proclamations or the delivery of God's messages of judgment or warning, and is thus used in the New Testament in describing the judgment day (cf. Le 25:9; Amo_3:6; 1Co_15:52; 1Th_4:16).
(c) The use of trumpets on seven days at the destruction of Jericho, the type of all that is worldly, may have suggested the form of the vision here, in the announcement of the judgment and destruction of the world.
And I saw the seven angels which stood before God; and to them were given seven trumpets; which stand (Revised Version). "And I saw" introduces the new vision, as in Rev_5:1; Rev_6:1, etc. Probably not during the silence (as Alford), but subsequent to it. "The seven angels" probably refers to a particular order of angels, or rather to those with a special mission; though, with our limited knowledge, it is impossible to determine exactly who they are or what their mission is. The passage in Tobit 12:15 is so similar as to be at once suggested: "I am Raphael, one of the seven holy angels which present the prayers of the saints." But here the seven do not present the prayers of the saints, but another angel does so (verse 3). De Wette and others think the seven are archangels (cf. 1Th_4:16, "With the voice of the archangel, and with the trump of God"). Arethas, Ewald, etc., identify them with "the seven Spirits of God" (Rev_1:4; Rev_4:5; Rev_5:6). Others incline to the opinion that the seven are only distinguished from the other angels by being the seven who sound the trumpets, just as four others are alluded to in Rev_7:1. (On the use of the number seven, see above; also on Rev_1:4; Rev_5:1, etc.)
Form a preface to the vision of the trumpets, and serve both to connect this vision with what has gone before, and to indicate the cause of this further revelation. The series of mysteries embraced under the seals is completed, and has so far accomplished its purpose, which is to fortify the patience of the saints by the assurance of God's providence and their ultimate victory and reward. But this is only one part of the seer's mission; there is not only a message of encouragement to the faithful, but a warning for the worldly and apostate. No doubt the same ground is covered to some extent by both announcements; since what is encouragement and hope for the righteous is judgment for the wicked. But whereas, in the vision of the seals, the punishment of the wicked holds a subsidiary place, being only introduced for the purpose of demonstrating God's protection of the just, in the vision of the trumpets the destruction of the ungodly is the main theme, being intended, like the denunciations of the prophets of old, for a warning to those in sin, if haply any may yet be saved. It may, indeed, be said to be an answer to the cry in Rev_6:10, "How long, O Lord, holy and true, dost thou not judge and avenge our blood on them that dwell on the earth?" The same lout suffering delay of vengeance tempts the "foolish body" to say in his heart, "There is no God." While by the vision of the seals God is careful not to break the bruised reed, in the vision of the trumpets he vouchsafes a call to those who are less deserving of his consideration and mercy.
(1) The trumpets then form a series of visions denouncing God's judgments against the wicked.
(2) They form an independent vision, and do not grow out of the seventh seal, in the sense of portraying what is intended to be disclosed under that seal. The number seven, alike in the case of the seals and in that of the trumpets, indicates the complete nature of each series, which is moreover demonstrated by their general character.
(3) The incidents depicted are synchronous with those of the seals; that is to say, they relate to the history of mankind front the beginning to the end of time and the commencement of eternity.
(4) As in the case of the seals, they are general indications of God's judgments; and though particular events may be partial fulfilments, the complete fulfilment is in all time.
(5) In their general features there are some points of resemblance and some of difference on a comparison with the seals.
(a) They may be divided into groups of four and three. In both visions the first group of four deals more immediately with the natural world, the last group of three has more connection with the spiritual life.
(b) They terminate in a similar way, in the victory of the redeemed, who sing the praises of God.
(c) In both, greater elaboration or episode occurs after the sixth revelation.
(d) The nature of the seventh seal is undisclosed, and this is to a certain extent paralleled in the trumpets by the silence concerning the third and last woe.
(e) In consonance with the general purpose of the trumpets, there is no preliminary assurance of victory as with the first seal; this is reserved to the end.
(6) Several reasons may be suggested for the employment of the figure of trumpets, by which to announce each vision.
(a) It was the instrument in use among the Israelites for assembling people, either for warlike or peaceful purposes (cf. Num_10:1, Num_10:9, Num_10:10).
(b) It was thus intimately connected with solemn proclamations or the delivery of God's messages of judgment or warning, and is thus used in the New Testament in describing the judgment day (cf. Le 25:9; Amo_3:6; 1Co_15:52; 1Th_4:16).
(c) The use of trumpets on seven days at the destruction of Jericho, the type of all that is worldly, may have suggested the form of the vision here, in the announcement of the judgment and destruction of the world.
And I saw the seven angels which stood before God; and to them were given seven trumpets; which stand (Revised Version). "And I saw" introduces the new vision, as in Rev_5:1; Rev_6:1, etc. Probably not during the silence (as Alford), but subsequent to it. "The seven angels" probably refers to a particular order of angels, or rather to those with a special mission; though, with our limited knowledge, it is impossible to determine exactly who they are or what their mission is. The passage in Tobit 12:15 is so similar as to be at once suggested: "I am Raphael, one of the seven holy angels which present the prayers of the saints." But here the seven do not present the prayers of the saints, but another angel does so (verse 3). De Wette and others think the seven are archangels (cf. 1Th_4:16, "With the voice of the archangel, and with the trump of God"). Arethas, Ewald, etc., identify them with "the seven Spirits of God" (Rev_1:4; Rev_4:5; Rev_5:6). Others incline to the opinion that the seven are only distinguished from the other angels by being the seven who sound the trumpets, just as four others are alluded to in Rev_7:1. (On the use of the number seven, see above; also on Rev_1:4; Rev_5:1, etc.)
3And another angel came and stood at the altar, having a golden censer; and there was given unto him much incense, that he should offer it with the prayers of all saints upon the golden altar which was before the throne.
Jamieson-Fausset-Brown
3. another angel--not Christ, as many think; for He, in Revelation, is always designated by one of His proper titles; though, doubtless, He is the only true High Priest, the Angel of the Covenant, standing before the golden altar of incense, and there, as Mediator, offering up His people's prayers, rendered acceptable before God through the incense of His merit. Here the angel acts merely as a ministering spirit (He 1:4), just as the twenty-four elders have vials full of odors, or incense, which are the prayers of saints (Re 5:8), and which they present before the Lamb. How precisely their ministry, in perfuming the prayers of the saints and offering them on the altar of incense, is exercised, we know not, but we do know they are not to be prayed TO. If we send an offering of tribute to the king, the king's messenger is not allowed to appropriate what is due to the king alone.
there was given unto him--The angel does not provide the incense; it is given to him by Christ, whose meritorious obedience and death are the incense, rendering the saints' prayers well pleasing to God. It is not the saints who give the angel the incense; nor are their prayers identified with the incense; nor do they offer their prayers to him. Christ alone is the Mediator through whom, and to whom, prayer is to be offered.
offer it with the prayers--rather as Greek, "give it TO the prayers," so rendering them efficacious as a sweet-smelling savor to God. Christ's merits alone can thus incense our prayers, though the angelic ministry be employed to attach this incense to the prayers. The saints' praying on earth, and the angel's incensing in heaven, are simultaneous.
all saints--The prayers both of the saints in the heavenly rest, and of those militant on earth. The martyrs' cry is the foremost, and brings down the ensuing judgments.
golden altar--antitype to the earthly.
3. another angel--not Christ, as many think; for He, in Revelation, is always designated by one of His proper titles; though, doubtless, He is the only true High Priest, the Angel of the Covenant, standing before the golden altar of incense, and there, as Mediator, offering up His people's prayers, rendered acceptable before God through the incense of His merit. Here the angel acts merely as a ministering spirit (He 1:4), just as the twenty-four elders have vials full of odors, or incense, which are the prayers of saints (Re 5:8), and which they present before the Lamb. How precisely their ministry, in perfuming the prayers of the saints and offering them on the altar of incense, is exercised, we know not, but we do know they are not to be prayed TO. If we send an offering of tribute to the king, the king's messenger is not allowed to appropriate what is due to the king alone.
there was given unto him--The angel does not provide the incense; it is given to him by Christ, whose meritorious obedience and death are the incense, rendering the saints' prayers well pleasing to God. It is not the saints who give the angel the incense; nor are their prayers identified with the incense; nor do they offer their prayers to him. Christ alone is the Mediator through whom, and to whom, prayer is to be offered.
offer it with the prayers--rather as Greek, "give it TO the prayers," so rendering them efficacious as a sweet-smelling savor to God. Christ's merits alone can thus incense our prayers, though the angelic ministry be employed to attach this incense to the prayers. The saints' praying on earth, and the angel's incensing in heaven, are simultaneous.
all saints--The prayers both of the saints in the heavenly rest, and of those militant on earth. The martyrs' cry is the foremost, and brings down the ensuing judgments.
golden altar--antitype to the earthly.
The Pulpit Commentary
And another angel came. No particular angel is specified. Some writers, unable to accept the passage as meaning that the Church's prayers are offered by means of an angel, prefer to believe that Christ himself is indicated. (Thus Bede, Elliott, Primasius, Vitringa.) But, besides that the difficulty has no real existence, the same expression occurs in Rev_7:2, where there is no doubt of its meaning. Moreover, in no passage of the book is our Lord represented under the form of an angel. With regard to the office of the angels, Alford remarks (while supporting the view that the word here bears the ordinary signification), "They are simply λειτουργικὰ ππνεύματα, and the action here described is a portion of that their ministry. Through whom the prayers are offered, we all know. He is our only Mediator and channel of grace." So also Wordsworth, "The angel is not here represented as giving efficacy to the prayers of all saints, but as taking part in them. There is a communication of prayer between all saints (namely, the saints departed, and the saints on earth), and the holy angels in heaven." And stood at the altar. The Revisers, accepting the reading of א, B, C, Andreas, adopt over the altar. The Authorized reading follows A, P, 1, 17, 36. Alford remarks, "Ἐπί with genitive, not simply juxta, not ante, but super; so that his form appeared above it." The altar has been already mentioned (Rev_6:9). If the view there taken be correct, and the brazen altar of sacrifice intended, the two altars mentioned in this verse are not identical; the second represents the golden altar of incense which stood before the veil (Exo_30:6), but which now stands before the throne of God, the veil having disappeared. This view seems to be the correct one. The second altar is distinguished from the first by the addition of the qualification, "which was before the throne," as well as by the epithet "golden"—facts which are not mentioned in connection with the throne alluded to in Rev_6:9. The order of events followed here, though not given in minute detail, resembles the ceremony of the Jewish worship. In the temple, the priest took burning coals from off the brazen altar, and proceeded to the altar of incense, on which to burn incense (Le Rev_16:12, Rev_16:13). There appears to be a kind of progression in the insight which the seer affords us of the heavenly worship. In Rev_4:1 a door is opened, and St. John sees into heaven; he is, as it were, without the sanctuary. In this place he is permitted to advance in his vision within the sanctuary, and to observe the golden altar. In Rev_11:19 and Rev_15:5 the most holy place is disclosed, and the ark of the covenant is seen. Alford and Dusterdieck believe only one altar is here mentioned, and identify it with that of Rev_6:9. De Wette, Hengstenberg, Wordsworth, think one altar only is intended, and that it is the altar of incense. Bengel, Ebrard, Vitringa, support the view given above. Bossuct says the altar is Christ, to whom the angel brings incense, that is, the prayers of the saints. Having a golden censer. The word λιβανωτός is found only here and in 1Ch_9:29 (LXX.). In the latter place it is rightly rendered "frankincense;" but the meaning here evidently requires "censer." It is described as of gold, in the same way that all the furniture of the heavenly realms is described in the Apocalypse. And there was given unto him much incense. Apparently following the analogy of the temple service, the first angel brings in his golden censer fire from the brazen altar of sacrifice, and now there is "given unto him," by another angel, incense to burn at the golden altar of incense. (For incense, see on Rev_5:8.) That he should offer it with the prayers of all saints; add it unto the prayers of all the saints (Revised Version). The prayers are to be incensed, so as to (typically) render them pure and acceptable to God. Upon the golden altar which was before the throne. That is, probably, the altar of incense, distinct from the altar mentioned earlier in this verse (see above).
And another angel came. No particular angel is specified. Some writers, unable to accept the passage as meaning that the Church's prayers are offered by means of an angel, prefer to believe that Christ himself is indicated. (Thus Bede, Elliott, Primasius, Vitringa.) But, besides that the difficulty has no real existence, the same expression occurs in Rev_7:2, where there is no doubt of its meaning. Moreover, in no passage of the book is our Lord represented under the form of an angel. With regard to the office of the angels, Alford remarks (while supporting the view that the word here bears the ordinary signification), "They are simply λειτουργικὰ ππνεύματα, and the action here described is a portion of that their ministry. Through whom the prayers are offered, we all know. He is our only Mediator and channel of grace." So also Wordsworth, "The angel is not here represented as giving efficacy to the prayers of all saints, but as taking part in them. There is a communication of prayer between all saints (namely, the saints departed, and the saints on earth), and the holy angels in heaven." And stood at the altar. The Revisers, accepting the reading of א, B, C, Andreas, adopt over the altar. The Authorized reading follows A, P, 1, 17, 36. Alford remarks, "Ἐπί with genitive, not simply juxta, not ante, but super; so that his form appeared above it." The altar has been already mentioned (Rev_6:9). If the view there taken be correct, and the brazen altar of sacrifice intended, the two altars mentioned in this verse are not identical; the second represents the golden altar of incense which stood before the veil (Exo_30:6), but which now stands before the throne of God, the veil having disappeared. This view seems to be the correct one. The second altar is distinguished from the first by the addition of the qualification, "which was before the throne," as well as by the epithet "golden"—facts which are not mentioned in connection with the throne alluded to in Rev_6:9. The order of events followed here, though not given in minute detail, resembles the ceremony of the Jewish worship. In the temple, the priest took burning coals from off the brazen altar, and proceeded to the altar of incense, on which to burn incense (Le Rev_16:12, Rev_16:13). There appears to be a kind of progression in the insight which the seer affords us of the heavenly worship. In Rev_4:1 a door is opened, and St. John sees into heaven; he is, as it were, without the sanctuary. In this place he is permitted to advance in his vision within the sanctuary, and to observe the golden altar. In Rev_11:19 and Rev_15:5 the most holy place is disclosed, and the ark of the covenant is seen. Alford and Dusterdieck believe only one altar is here mentioned, and identify it with that of Rev_6:9. De Wette, Hengstenberg, Wordsworth, think one altar only is intended, and that it is the altar of incense. Bengel, Ebrard, Vitringa, support the view given above. Bossuct says the altar is Christ, to whom the angel brings incense, that is, the prayers of the saints. Having a golden censer. The word λιβανωτός is found only here and in 1Ch_9:29 (LXX.). In the latter place it is rightly rendered "frankincense;" but the meaning here evidently requires "censer." It is described as of gold, in the same way that all the furniture of the heavenly realms is described in the Apocalypse. And there was given unto him much incense. Apparently following the analogy of the temple service, the first angel brings in his golden censer fire from the brazen altar of sacrifice, and now there is "given unto him," by another angel, incense to burn at the golden altar of incense. (For incense, see on Rev_5:8.) That he should offer it with the prayers of all saints; add it unto the prayers of all the saints (Revised Version). The prayers are to be incensed, so as to (typically) render them pure and acceptable to God. Upon the golden altar which was before the throne. That is, probably, the altar of incense, distinct from the altar mentioned earlier in this verse (see above).
4And the smoke of the incense, which came with the prayers of the saints, ascended up before God out of the angel’s hand.
Jamieson-Fausset-Brown
4. the smoke ... which came with the prayers ... ascended up--rather, "the smoke of the incense FOR (or 'given TO': 'given' being understood from Re 8:3) the prayers of the saints ascended up, out of the angel's hand, in the presence of Gods" The angel merely burns the incense given him by Christ the High Priest, so that its smoke blends with the ascending prayers of the saints. The saints themselves are priests; and the angels in this priestly ministration are but their fellow servants (Re 19:10).
4. the smoke ... which came with the prayers ... ascended up--rather, "the smoke of the incense FOR (or 'given TO': 'given' being understood from Re 8:3) the prayers of the saints ascended up, out of the angel's hand, in the presence of Gods" The angel merely burns the incense given him by Christ the High Priest, so that its smoke blends with the ascending prayers of the saints. The saints themselves are priests; and the angels in this priestly ministration are but their fellow servants (Re 19:10).
The Pulpit Commentary
And the smoke of the incense, which came with the prayers of the saints, ascended up before God out of the angel's hand; and the smoke of the incense with the prayers of the saints went up, etc. (Revised Version). The prayers, accompanied by the incense, and typically purified by it, are received by God. He hears the prayers; and the judgments against the wicked, which follow in the trumpet visions, constitute the answer to them. This makes more probable the view that the following visions are judgments against the world, and not (like the seals) trials to the Church.
And the smoke of the incense, which came with the prayers of the saints, ascended up before God out of the angel's hand; and the smoke of the incense with the prayers of the saints went up, etc. (Revised Version). The prayers, accompanied by the incense, and typically purified by it, are received by God. He hears the prayers; and the judgments against the wicked, which follow in the trumpet visions, constitute the answer to them. This makes more probable the view that the following visions are judgments against the world, and not (like the seals) trials to the Church.
5And the angel took the censer, and filled it with fire of the altar, and cast it into the earth: and there were voices, and thunderings, and lightnings, and an earthquake.
Jamieson-Fausset-Brown
5. cast it into the earth--that is, unto the earth: the hot coals off the altar cast on the earth, symbolize God's fiery judgments about to descend on the Church's foes in answer to the saints' incense-perfumed prayers which have just ascended before God, and those of the martyrs. How marvellous the power of the saints' prayers!
there were--"there took place," or "ensued."
voices, and thunderings, and lightnings--B places the "voices" after "thunderings." A places it after "lightnings."
5. cast it into the earth--that is, unto the earth: the hot coals off the altar cast on the earth, symbolize God's fiery judgments about to descend on the Church's foes in answer to the saints' incense-perfumed prayers which have just ascended before God, and those of the martyrs. How marvellous the power of the saints' prayers!
there were--"there took place," or "ensued."
voices, and thunderings, and lightnings--B places the "voices" after "thunderings." A places it after "lightnings."
The Pulpit Commentary
And the angel took the censer, and filled it with fire of the altar, and cast it into the earth; taketh the censer, and he filled it with the fire of the altar, and cast it upon the earth (Revised Version). The angel now returns to the altar of burnt offering, whence he takes fire, which he casts upon the earth. This action denotes that God's judgments are about to descend on the earth, and it therefore forms the visible token of God's acceptance of the prayers of the saints, and his answer to them. And there were voices, and thunderings, and lightnings, and an earthquake; and there followed thunders, and voices, etc. (Revised Version). The manifestation of God's presence or of his judgments is continually accompanied by awe-striking phenomena, such as are here described (see on Rev_6:12).
And the angel took the censer, and filled it with fire of the altar, and cast it into the earth; taketh the censer, and he filled it with the fire of the altar, and cast it upon the earth (Revised Version). The angel now returns to the altar of burnt offering, whence he takes fire, which he casts upon the earth. This action denotes that God's judgments are about to descend on the earth, and it therefore forms the visible token of God's acceptance of the prayers of the saints, and his answer to them. And there were voices, and thunderings, and lightnings, and an earthquake; and there followed thunders, and voices, etc. (Revised Version). The manifestation of God's presence or of his judgments is continually accompanied by awe-striking phenomena, such as are here described (see on Rev_6:12).
The First Trumpet
6And the seven angels which had the seven trumpets prepared themselves to sound.
Jamieson-Fausset-Brown
6. sound--blow the trumpets.
6. sound--blow the trumpets.
The Pulpit Commentary
And the seven angels which had the seven trumpets prepared themselves to sound. This verse takes up and continues the narrative of Rev_8:2; the intervening passage serves to indicate the immediate cause of the judgments now about to descend, viz. the "prayers of the saints" (Rev_8:4). (On the number seven, as signifying a complete number, see Rev_1:4; Rev_5:1, etc.) Cf. the sounding of the trumpets at Jericho, and the other passages quoted in the comment on Rev_8:2.
And the seven angels which had the seven trumpets prepared themselves to sound. This verse takes up and continues the narrative of Rev_8:2; the intervening passage serves to indicate the immediate cause of the judgments now about to descend, viz. the "prayers of the saints" (Rev_8:4). (On the number seven, as signifying a complete number, see Rev_1:4; Rev_5:1, etc.) Cf. the sounding of the trumpets at Jericho, and the other passages quoted in the comment on Rev_8:2.
7The first angel sounded, and there followed hail and fire mingled with blood, and they were cast upon the earth: and the third part of trees was burnt up, and all green grass was burnt up.
Jamieson-Fausset-Brown
7. The common feature of the first four trumpets is, the judgments under them affect natural objects, the accessories of life, the earth, trees, grass, the sea, rivers, fountains, the light of the sun, moon, and stars. The last three, the woe-trumpets (Re 8:13), affect men's life with pain, death, and hell. The language is evidently drawn from the plagues of Egypt, five or six out of the ten exactly corresponding: the hail, the fire (Ex 9:24), the WATER turned to blood (Ex 7:19), the darkness (Ex 10:21), the locusts (Ex 10:12), and perhaps the death (Re 9:18). Judicial retribution in kind characterizes the inflictions of the first four, those elements which had been abused punishing their abusers.
mingled with--A, B, and Vulgate read, Greek, "... IN blood." So in the case of the second and third vials (Re 16:3, 4).
upon the earth--Greek, "unto the earth." A, B, Vulgate, and Syriac add, "And the third of the earth was burnt up." So under the third trumpet, the third of the rivers is affected: also, under the sixth trumpet, the third part of men are killed. In Zec 13:8, 9 this tripartite division appears, but the proportions reversed, two parts killed, only a third preserved. Here, vice versa, two-thirds escape, one-third is smitten. The fire was the predominant element.
all green grass--no longer a third, but all is burnt up.
7. The common feature of the first four trumpets is, the judgments under them affect natural objects, the accessories of life, the earth, trees, grass, the sea, rivers, fountains, the light of the sun, moon, and stars. The last three, the woe-trumpets (Re 8:13), affect men's life with pain, death, and hell. The language is evidently drawn from the plagues of Egypt, five or six out of the ten exactly corresponding: the hail, the fire (Ex 9:24), the WATER turned to blood (Ex 7:19), the darkness (Ex 10:21), the locusts (Ex 10:12), and perhaps the death (Re 9:18). Judicial retribution in kind characterizes the inflictions of the first four, those elements which had been abused punishing their abusers.
mingled with--A, B, and Vulgate read, Greek, "... IN blood." So in the case of the second and third vials (Re 16:3, 4).
upon the earth--Greek, "unto the earth." A, B, Vulgate, and Syriac add, "And the third of the earth was burnt up." So under the third trumpet, the third of the rivers is affected: also, under the sixth trumpet, the third part of men are killed. In Zec 13:8, 9 this tripartite division appears, but the proportions reversed, two parts killed, only a third preserved. Here, vice versa, two-thirds escape, one-third is smitten. The fire was the predominant element.
all green grass--no longer a third, but all is burnt up.
The Pulpit Commentary
The first angel sounded; and the first sounded (Revised Version). The word "angel" should be omitted here, though found in the other trumpets. The first four are marked off from the last three (as in the case of the seals) by distinctive features. The first four refer to the natural life, while the last three are connected more closely with the spiritual life of man. The first four are connected and interdependent; the last three are distinct and more detached. The last three are specially marked off by the announcement of the angel in Rev_8:13. And there followed hail and fire mingled with blood; mingled in blood. The English Version is ambiguous, but the Greek makes it clear that it is the bail and the fire that are mingled, and that both together are sent in blood. There is an evident likeness between the judgments of the trumpets and the plagues of Egypt. The resemblance is only general, but it serves to corroborate the belief that the trumpets declare God's judgments on the world, not the trials of the Church. The Church is the true Israel which exists uninjured by these manifestations of God's wrath in the midst of the world of Egyptian wickedness. The question next naturally arises—What are the judgments referred to, which are thus to afflict the ungodly while leaving the righteous unhurt; and when and how they are to take place? The answer evidently is—All troubles of the wicked, which are the consequence of misdoing, whether these troubles overtake them in this life or in the life to come. In the words of Alford, "These punishments are not merely direct inflictions of plagues, but consist in great part of that judicial retribution on them that know not God, which arises from their own depravity, and in which their own sins are made to punish themselves." This seems to follow from the view which we haw taken of the trumpet visions. They depict God's judgments on the wicked in all ages. Just as the seal visions were found to relate to the trials of God's people in all time, and the fulfilment is not completed by any one event or series of events, so now the seer is called upon to return, as it were, to his former starting point, and follow out a new path, where he would find displayed the troubles which have afflicted or shall afflict the ungodly. It is very doubtful how much of the imagery used in this series of visions is to be interpreted as applying to some definite event, and how much is to be considered merely as the accessories of the picture, necessitated by the employment of the symbol, and not needing particular interpretation. It is possible that the seer intended first to set forth the judgments which were to descend on those powers which, at the time of the vision, were pressing so heavily upon Christians, and among which the Roman empire held the prominent place. But it also seems probable that the woes symbolized are general types of the judgments in store for the wicked of all ages, perhaps in this life, certainly at the last day. The blood is not found in Exodus. It is mentioned in close connection with hailstones and fire in Eze_38:22, and a similar thought occurs in Joe_2:30. The passage may describe the ruin wrought by war; the consequences of fire and sword. Wordsworth sees the fulfilment in the Gothic invasion of Rome, which descended from the north, here typified by the hailstorm (but see on Rev_16:21). The vision would thus answer to that of the second seal, though with this difference, that under the seal war was permitted as a trial to the Church; here it is sent as God's vengeance against the persecutors. And they were cast upon the earth. "That is," says Wordsworth, "on the earthly power, opposed to Christ and his Church, which is the kingdom of heaven." But the words seem rather to describe the destruction of inanimate creation, as in the seventh plague of Egypt. The punishment would undoubtedly fall upon mankind eventually, though immediately upon the earth and its productions. Vitringa says the earth denotes the Roman empire; the sea, the barbarous races. And the third part of trees was burnt up, and all green grass was burnt up. Insert and the third part of the earth was burnt up, as in the Revised Version. "A third of all the trees, etc., on the earth," rather than "all the trees, etc., on a specified third part of the earth." The third part is almost unanimously considered to represent "a large part, but such that the greater part was still uninjured." We are reminded again of the seventh plague, where "the flax and the barley were smitten: but the wheat and the rie were not smitten" (Exo_9:31, Exo_9:32). Wordsworth interprets the trees to mean the "princes'' of the Roman empire; the grass, the common people. So also Hengstenberg. Elliott thinks "the third part of the earth" denotes the western part of the Roman empire, the eastern and central parts at first escaping the visitation. Bengel sees here a type of the wars of Trajan and Hadrian. Vitringa considers that the famine under Gallus is signified. Renan points to the storms of A.D. 63-68 as the fulfilment.
Rev_8:8, Rev_8:9
And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea. Jer_2:25 contains a somewhat similar description, with, however, a different meaning. There the mountain is the heathen power; here it is the instrument of the punishment of the ungodly world. Alford objects to calling the mountain a volcano, though that, or something of the same nature, seems obviously to be meant. The contiguity of such appearances to St. John in the Isle of Patmos may have suggested the idea. The judgments appear to increase in severity as we go on. The first affects vegetation, thus causing trouble, but not destruction to men; the second begins to affect animal life; the third causes many men to die; and the following ones affect men as direct punishments. The vision may be said generally to typify great trouble and commotion. The figure is used in other places to denote something remarkable and awe inspiring (cf. Mat_21:21; 1Co_13:2; Job_9:5; Job_28:9; Jdg_5:5; 1Ki_19:11; Psa_46:2; Isa_34:3; Isa_54:10; Eze_38:20; Mic_1:4; Nah_1:5). It is also the symbol of a great power. In Isa_2:2 it signifies the Church; in Amo_4:1 an earthly power; in Isa_41:15 the enemies of Israel. We may therefore conclude that a judgment of great magnitude and force is foretold; and though it is possible to point to particular events (such as the overthrow of Rome by the Gothic power) as a fulfilment of the prophecy, yet we must remember that the complete fulfilment will not he accomplished until "all enemies are put under his feet." And the third part of the sea became blood; and the third part of the creatures which were in the sea, and had life, died; and the third part of the ships were destroyed; even they that had life (Revised Version). (On the "third part," see on Isa_41:7.) Whether one third part of the sea, separated in some way from the rest, and all the creatures in that third part, or whether a third part diffused over the whole extent, is meant, it is impossible to say. The whole is a vision, and not subject to natural laws. The meaning is evident. As before, a large part, but not the largest, is signified and this time the judgment is directed against another portion of creation. The sea, as well as the productions of the earth, can be used by God as his agent by which to punish and warn mankind. The attempt to press the vision into a particular application has led to a variety of interpretations. Wordsworth and Elliott both think that the destruction of Roman ships is foretold; the former pointing to the ships as the instruments of commerce and luxury, the latter referring to the destruction of the Roman navy. Bengel, Grotius, Vitringa, see here a vision of war'. Hengstenberg believes the sea to typify this world; the living creatures, mankind; and the ships, villages and towns. Those who place the fulfilment of the vision in time subsequent to the sealing of Rev_7:1-17. fail to see that the trumpets do not follow the seals in chronological order, but that both are being fulfilled side by side in the same epoch; viz. that of the existence of man.
The first angel sounded; and the first sounded (Revised Version). The word "angel" should be omitted here, though found in the other trumpets. The first four are marked off from the last three (as in the case of the seals) by distinctive features. The first four refer to the natural life, while the last three are connected more closely with the spiritual life of man. The first four are connected and interdependent; the last three are distinct and more detached. The last three are specially marked off by the announcement of the angel in Rev_8:13. And there followed hail and fire mingled with blood; mingled in blood. The English Version is ambiguous, but the Greek makes it clear that it is the bail and the fire that are mingled, and that both together are sent in blood. There is an evident likeness between the judgments of the trumpets and the plagues of Egypt. The resemblance is only general, but it serves to corroborate the belief that the trumpets declare God's judgments on the world, not the trials of the Church. The Church is the true Israel which exists uninjured by these manifestations of God's wrath in the midst of the world of Egyptian wickedness. The question next naturally arises—What are the judgments referred to, which are thus to afflict the ungodly while leaving the righteous unhurt; and when and how they are to take place? The answer evidently is—All troubles of the wicked, which are the consequence of misdoing, whether these troubles overtake them in this life or in the life to come. In the words of Alford, "These punishments are not merely direct inflictions of plagues, but consist in great part of that judicial retribution on them that know not God, which arises from their own depravity, and in which their own sins are made to punish themselves." This seems to follow from the view which we haw taken of the trumpet visions. They depict God's judgments on the wicked in all ages. Just as the seal visions were found to relate to the trials of God's people in all time, and the fulfilment is not completed by any one event or series of events, so now the seer is called upon to return, as it were, to his former starting point, and follow out a new path, where he would find displayed the troubles which have afflicted or shall afflict the ungodly. It is very doubtful how much of the imagery used in this series of visions is to be interpreted as applying to some definite event, and how much is to be considered merely as the accessories of the picture, necessitated by the employment of the symbol, and not needing particular interpretation. It is possible that the seer intended first to set forth the judgments which were to descend on those powers which, at the time of the vision, were pressing so heavily upon Christians, and among which the Roman empire held the prominent place. But it also seems probable that the woes symbolized are general types of the judgments in store for the wicked of all ages, perhaps in this life, certainly at the last day. The blood is not found in Exodus. It is mentioned in close connection with hailstones and fire in Eze_38:22, and a similar thought occurs in Joe_2:30. The passage may describe the ruin wrought by war; the consequences of fire and sword. Wordsworth sees the fulfilment in the Gothic invasion of Rome, which descended from the north, here typified by the hailstorm (but see on Rev_16:21). The vision would thus answer to that of the second seal, though with this difference, that under the seal war was permitted as a trial to the Church; here it is sent as God's vengeance against the persecutors. And they were cast upon the earth. "That is," says Wordsworth, "on the earthly power, opposed to Christ and his Church, which is the kingdom of heaven." But the words seem rather to describe the destruction of inanimate creation, as in the seventh plague of Egypt. The punishment would undoubtedly fall upon mankind eventually, though immediately upon the earth and its productions. Vitringa says the earth denotes the Roman empire; the sea, the barbarous races. And the third part of trees was burnt up, and all green grass was burnt up. Insert and the third part of the earth was burnt up, as in the Revised Version. "A third of all the trees, etc., on the earth," rather than "all the trees, etc., on a specified third part of the earth." The third part is almost unanimously considered to represent "a large part, but such that the greater part was still uninjured." We are reminded again of the seventh plague, where "the flax and the barley were smitten: but the wheat and the rie were not smitten" (Exo_9:31, Exo_9:32). Wordsworth interprets the trees to mean the "princes'' of the Roman empire; the grass, the common people. So also Hengstenberg. Elliott thinks "the third part of the earth" denotes the western part of the Roman empire, the eastern and central parts at first escaping the visitation. Bengel sees here a type of the wars of Trajan and Hadrian. Vitringa considers that the famine under Gallus is signified. Renan points to the storms of A.D. 63-68 as the fulfilment.
Rev_8:8, Rev_8:9
And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea. Jer_2:25 contains a somewhat similar description, with, however, a different meaning. There the mountain is the heathen power; here it is the instrument of the punishment of the ungodly world. Alford objects to calling the mountain a volcano, though that, or something of the same nature, seems obviously to be meant. The contiguity of such appearances to St. John in the Isle of Patmos may have suggested the idea. The judgments appear to increase in severity as we go on. The first affects vegetation, thus causing trouble, but not destruction to men; the second begins to affect animal life; the third causes many men to die; and the following ones affect men as direct punishments. The vision may be said generally to typify great trouble and commotion. The figure is used in other places to denote something remarkable and awe inspiring (cf. Mat_21:21; 1Co_13:2; Job_9:5; Job_28:9; Jdg_5:5; 1Ki_19:11; Psa_46:2; Isa_34:3; Isa_54:10; Eze_38:20; Mic_1:4; Nah_1:5). It is also the symbol of a great power. In Isa_2:2 it signifies the Church; in Amo_4:1 an earthly power; in Isa_41:15 the enemies of Israel. We may therefore conclude that a judgment of great magnitude and force is foretold; and though it is possible to point to particular events (such as the overthrow of Rome by the Gothic power) as a fulfilment of the prophecy, yet we must remember that the complete fulfilment will not he accomplished until "all enemies are put under his feet." And the third part of the sea became blood; and the third part of the creatures which were in the sea, and had life, died; and the third part of the ships were destroyed; even they that had life (Revised Version). (On the "third part," see on Isa_41:7.) Whether one third part of the sea, separated in some way from the rest, and all the creatures in that third part, or whether a third part diffused over the whole extent, is meant, it is impossible to say. The whole is a vision, and not subject to natural laws. The meaning is evident. As before, a large part, but not the largest, is signified and this time the judgment is directed against another portion of creation. The sea, as well as the productions of the earth, can be used by God as his agent by which to punish and warn mankind. The attempt to press the vision into a particular application has led to a variety of interpretations. Wordsworth and Elliott both think that the destruction of Roman ships is foretold; the former pointing to the ships as the instruments of commerce and luxury, the latter referring to the destruction of the Roman navy. Bengel, Grotius, Vitringa, see here a vision of war'. Hengstenberg believes the sea to typify this world; the living creatures, mankind; and the ships, villages and towns. Those who place the fulfilment of the vision in time subsequent to the sealing of Rev_7:1-17. fail to see that the trumpets do not follow the seals in chronological order, but that both are being fulfilled side by side in the same epoch; viz. that of the existence of man.
The Second Trumpet
8And the second angel sounded, and as it were a great mountain burning with fire was cast into the sea: and the third part of the sea became blood;
Jamieson-Fausset-Brown
8. as it were--not literally a mountain: a mountain-like burning mass. There is a plain allusion to Jr 51:25; Am 7:4.
third part of the sea became blood--In the parallel second vial, the whole sea (not merely a third) becomes blood. The overthrow of Jericho, the type of the Antichristian Babylon, after which Israel, under Joshua (the same name as Jesus), victoriously took possession of Canaan, the type of Christ's and His people's kingdom, is perhaps alluded to in the SEVEN trumpets, which end in the overthrow of all Christ's foes, and the setting up of His kingdom. On the seventh day, at the seventh time, when the seven priests blew the seven ram's horn trumpets, the people shouted, and the walls fell flat: and then ensued the blood-shedding of the foe. A mountain-like fiery mass would not naturally change water into blood; nor would the third part of ships be thereby destroyed.
8. as it were--not literally a mountain: a mountain-like burning mass. There is a plain allusion to Jr 51:25; Am 7:4.
third part of the sea became blood--In the parallel second vial, the whole sea (not merely a third) becomes blood. The overthrow of Jericho, the type of the Antichristian Babylon, after which Israel, under Joshua (the same name as Jesus), victoriously took possession of Canaan, the type of Christ's and His people's kingdom, is perhaps alluded to in the SEVEN trumpets, which end in the overthrow of all Christ's foes, and the setting up of His kingdom. On the seventh day, at the seventh time, when the seven priests blew the seven ram's horn trumpets, the people shouted, and the walls fell flat: and then ensued the blood-shedding of the foe. A mountain-like fiery mass would not naturally change water into blood; nor would the third part of ships be thereby destroyed.
9And the third part of the creatures which were in the sea, and had life, died; and the third part of the ships were destroyed.
Jamieson-Fausset-Brown
9. The symbolical interpreters take the ships here to be churches. For the Greek here for ships is not the common one, but that used in the Gospels of the apostolic vessel in which Christ taught: and the first churches were in the shape of an inverted ship: and the Greek for destroyed is also used of heretical corruptings (1Ti 6:5).
9. The symbolical interpreters take the ships here to be churches. For the Greek here for ships is not the common one, but that used in the Gospels of the apostolic vessel in which Christ taught: and the first churches were in the shape of an inverted ship: and the Greek for destroyed is also used of heretical corruptings (1Ti 6:5).
The Third Trumpet
10And the third angel sounded, and there fell a great star from heaven, burning as it were a lamp, and it fell upon the third part of the rivers, and upon the fountains of waters;
Jamieson-Fausset-Brown
10. a lamp--a torch.
10. a lamp--a torch.
The Pulpit Commentary
And the third angel sounded, and there fell a great star from heaven, burning as it were a lamp. In the Old Testament trouble is foretold under the symbol of darkened stars (cf. Eze_32:7; Joe_2:10). In Mat_24:29 the falling of stars is part of the general picture of the coming of the judgment day. The description here may therefore symbolize an act of judgment—one more of the troubles inflicted by God upon the guilty world. The frequent use of the symbol, star, as a type of one in an exalted position, has led most commentators to interpret the star of individual rulers, especially of those who poisoned the waters of Divine truth by heresy. But it seems more likely that the event here portrayed carries one step further the description of God's vengeance on the wicked, which has been already partially set forth. At first vegetation, then the sea, now the land waters, are smitten. The star, as the means employed by God, is typical of the awe striking nature of the punishment, and is indicative of the fact that the judgment is the act of God, and proceeds directly from heaven, and is not to be attributed to merely natural circumstances. And it fell upon the third part of the rivers, and upon the fountains of waters. Not upon a third part of the fountains, but upon all fountains, just as in Mat_24:7 "all green grass" is visited with the plague. As stated above, another part of creation (and therefore another portion, of mankind) is afflicted. It is, of course, Impossible to point out the complete fulfilment of this judgment, Which is yet being fulfilled, but we may mention as illustrations the trouble caused to man by means of land waters, by floods, by drought, by pestilence. As before, only part suffers from this visitation; the greater part is spared.
And the third angel sounded, and there fell a great star from heaven, burning as it were a lamp. In the Old Testament trouble is foretold under the symbol of darkened stars (cf. Eze_32:7; Joe_2:10). In Mat_24:29 the falling of stars is part of the general picture of the coming of the judgment day. The description here may therefore symbolize an act of judgment—one more of the troubles inflicted by God upon the guilty world. The frequent use of the symbol, star, as a type of one in an exalted position, has led most commentators to interpret the star of individual rulers, especially of those who poisoned the waters of Divine truth by heresy. But it seems more likely that the event here portrayed carries one step further the description of God's vengeance on the wicked, which has been already partially set forth. At first vegetation, then the sea, now the land waters, are smitten. The star, as the means employed by God, is typical of the awe striking nature of the punishment, and is indicative of the fact that the judgment is the act of God, and proceeds directly from heaven, and is not to be attributed to merely natural circumstances. And it fell upon the third part of the rivers, and upon the fountains of waters. Not upon a third part of the fountains, but upon all fountains, just as in Mat_24:7 "all green grass" is visited with the plague. As stated above, another part of creation (and therefore another portion, of mankind) is afflicted. It is, of course, Impossible to point out the complete fulfilment of this judgment, Which is yet being fulfilled, but we may mention as illustrations the trouble caused to man by means of land waters, by floods, by drought, by pestilence. As before, only part suffers from this visitation; the greater part is spared.
11And the name of the star is called Wormwood: and the third part of the waters became wormwood; and many men died of the waters, because they were made bitter.
Jamieson-Fausset-Brown
11. The symbolizers interpret the star fallen from heaven as a chief minister (Arius, according to Bullinger, Bengel, and others; or some future false teacher, if, as is more likely, the event be still future) falling from his high place in the Church, and instead of shining with heavenly light as a star, becoming a torch lit with earthly fire and smouldering with smoke. And "wormwood," though medicinal in some cases, if used as ordinary water would not only be disagreeable to the taste, but also fatal to life: so "heretical wormwood changes the sweet Siloas of Scripture into deadly Marahs" [Wordsworth]. Contrast the converse change of bitter Marah water into sweet, Ex 15:23. Alford gives as an illustration in a physical point of view, the conversion of water into firewater or ardent spirits, which may yet go on to destroy even as many as a third of the ungodly in the latter days.
11. The symbolizers interpret the star fallen from heaven as a chief minister (Arius, according to Bullinger, Bengel, and others; or some future false teacher, if, as is more likely, the event be still future) falling from his high place in the Church, and instead of shining with heavenly light as a star, becoming a torch lit with earthly fire and smouldering with smoke. And "wormwood," though medicinal in some cases, if used as ordinary water would not only be disagreeable to the taste, but also fatal to life: so "heretical wormwood changes the sweet Siloas of Scripture into deadly Marahs" [Wordsworth]. Contrast the converse change of bitter Marah water into sweet, Ex 15:23. Alford gives as an illustration in a physical point of view, the conversion of water into firewater or ardent spirits, which may yet go on to destroy even as many as a third of the ungodly in the latter days.
The Pulpit Commentary
And the name of the star is called Wormwood. The plant known to us under the name of wormwood is doubtless identical with the Αψινθος of this passage. The present English word is a corruption of wer-mod (equivalent to ware-mood), which may be rendered "mind-preserver," a name given to the plant by the Saxons, on account of its fancied virtues; for it was believed to be a protection against madness. Such properties were formerly frequently ascribed to plants possessing bitter and nauseous tastes, such as that of the wormwood. Varieties of the plant are common in Palestine, and are widely distributed in the world. Among the ancients it was typical of bitter sorrow. Thus Lam_3:19, "Remembering my misery, the wormwood and the gall;" Jer_9:15, "I will feed them with wormwood." Here, therefore, the name indicates the effect of the star, viz. to cause intense trouble and sorrow. And the third part of the waters became wormwood; that is, became bitter as wormwood, that is, charged with sorrow and disaster. The general effect of the incident is described in the name given to the chief actor, as in the case of the fourth seal (see Rev_6:8). And many men died of the waters, because they were made bitter; many of the men. Possibly (though not necessarily) of the men dwelling near the waters. For the first time mention is made of the death of men, though, doubtless, it is implied in the preceding judgments. We may notice the contrast in the miracles of Moses, who sweetened the waters of Marah (Exo_15:1-27.), and of Elisha (2Ki_2:22).
And the name of the star is called Wormwood. The plant known to us under the name of wormwood is doubtless identical with the Αψινθος of this passage. The present English word is a corruption of wer-mod (equivalent to ware-mood), which may be rendered "mind-preserver," a name given to the plant by the Saxons, on account of its fancied virtues; for it was believed to be a protection against madness. Such properties were formerly frequently ascribed to plants possessing bitter and nauseous tastes, such as that of the wormwood. Varieties of the plant are common in Palestine, and are widely distributed in the world. Among the ancients it was typical of bitter sorrow. Thus Lam_3:19, "Remembering my misery, the wormwood and the gall;" Jer_9:15, "I will feed them with wormwood." Here, therefore, the name indicates the effect of the star, viz. to cause intense trouble and sorrow. And the third part of the waters became wormwood; that is, became bitter as wormwood, that is, charged with sorrow and disaster. The general effect of the incident is described in the name given to the chief actor, as in the case of the fourth seal (see Rev_6:8). And many men died of the waters, because they were made bitter; many of the men. Possibly (though not necessarily) of the men dwelling near the waters. For the first time mention is made of the death of men, though, doubtless, it is implied in the preceding judgments. We may notice the contrast in the miracles of Moses, who sweetened the waters of Marah (Exo_15:1-27.), and of Elisha (2Ki_2:22).
The Fourth Trumpet
12And the fourth angel sounded, and the third part of the sun was smitten, and the third part of the moon, and the third part of the stars; so as the third part of them was darkened, and the day shone not for a third part of it, and the night likewise.
Jamieson-Fausset-Brown
12. third part--not a total obscuration as in the sixth seal (Re 6:12, 13). This partial obscuration, therefore, comes between the prayers of the martyrs under the fifth seal, and the last overwhelming judgments on the ungodly under the sixth seal, at the eve of Christ's coming.
the night likewise--withdrew a third part of the light which the bright Eastern moon and stars ordinarily afford.
12. third part--not a total obscuration as in the sixth seal (Re 6:12, 13). This partial obscuration, therefore, comes between the prayers of the martyrs under the fifth seal, and the last overwhelming judgments on the ungodly under the sixth seal, at the eve of Christ's coming.
the night likewise--withdrew a third part of the light which the bright Eastern moon and stars ordinarily afford.
The Pulpit Commentary
And the fourth angel sounded, and the third part of the sun was smitten, and the third part of the moon, and the third part of the stars. Still the created universe is the direct object of these visitations. The planets were smitten, but we are not told with what instrument. As Alford points out, this may teach us not to lay too great stress upon that part of the visions which describes the means. Our attention is to be fixed upon the effect, the stroke, not upon the mountain or the star by whose means the result is attained. (For the signification of the third part, vide supra.) In the Bible, frequent use is made of this figure to express trouble and commotion (see Isa_13:10; Isa_24:23; Jer_15:9; Eze_32:7; Amo_8:9; Mat_24:29). The sun, etc., are also looked upon as examples of stability. Thus Psa_72:5, "As long as the sun and moon endure" (see also Psa_72:17; Psa_89:36). The vision may therefore be suggestive of God's power over things the most permanent and stable, and thus demonstrate to Christians his ability to punish "the ungodly who prosper in the world." Thus Job_9:7 attributes omnipotence to God, "which commandeth the sun, and it riseth not; and scaleth up the stars" (see also Psa_136:8; Jer_31:35). Thus, then, God can turn even the benign influences of the sun and planets into means for the destruction of man. In the countless evils which have their origin in the excess or defect of the power of the sun, we may see an illustration of the fulfilment of this judgment. We may point out that the very existence of such visitations as are here portrayed preclude the possibility of the fulfilment of the trumpet visions being subsequent in time to those of the seals. So as the third part of them was darkened, and the day shone not for a third part of it, and the night likewise; that the third part of them should be darkened, and the day should not shine for the third part of it, and the night in like manner. Probably, total darkness for a third part of the day and night is meant; not a third of the usual amount of light during the whole day and night (as Bengel and others). Renan, as a preterist, sees the fulfilment in the eclipses of A.D. 68. De Lyra, Wordsworth, and others see in this judgment a symbol of the infidelity, heresies, apostasies, and confusions in the world in the seventh century and at other times. Vitringa, adopting the historical view, refers the fulfilment to particular periods of the Roman empire.
And the fourth angel sounded, and the third part of the sun was smitten, and the third part of the moon, and the third part of the stars. Still the created universe is the direct object of these visitations. The planets were smitten, but we are not told with what instrument. As Alford points out, this may teach us not to lay too great stress upon that part of the visions which describes the means. Our attention is to be fixed upon the effect, the stroke, not upon the mountain or the star by whose means the result is attained. (For the signification of the third part, vide supra.) In the Bible, frequent use is made of this figure to express trouble and commotion (see Isa_13:10; Isa_24:23; Jer_15:9; Eze_32:7; Amo_8:9; Mat_24:29). The sun, etc., are also looked upon as examples of stability. Thus Psa_72:5, "As long as the sun and moon endure" (see also Psa_72:17; Psa_89:36). The vision may therefore be suggestive of God's power over things the most permanent and stable, and thus demonstrate to Christians his ability to punish "the ungodly who prosper in the world." Thus Job_9:7 attributes omnipotence to God, "which commandeth the sun, and it riseth not; and scaleth up the stars" (see also Psa_136:8; Jer_31:35). Thus, then, God can turn even the benign influences of the sun and planets into means for the destruction of man. In the countless evils which have their origin in the excess or defect of the power of the sun, we may see an illustration of the fulfilment of this judgment. We may point out that the very existence of such visitations as are here portrayed preclude the possibility of the fulfilment of the trumpet visions being subsequent in time to those of the seals. So as the third part of them was darkened, and the day shone not for a third part of it, and the night likewise; that the third part of them should be darkened, and the day should not shine for the third part of it, and the night in like manner. Probably, total darkness for a third part of the day and night is meant; not a third of the usual amount of light during the whole day and night (as Bengel and others). Renan, as a preterist, sees the fulfilment in the eclipses of A.D. 68. De Lyra, Wordsworth, and others see in this judgment a symbol of the infidelity, heresies, apostasies, and confusions in the world in the seventh century and at other times. Vitringa, adopting the historical view, refers the fulfilment to particular periods of the Roman empire.
13And I beheld, and heard an angel flying through the midst of heaven, saying with a loud voice, Woe, woe, woe, to the inhabiters of the earth by reason of the other voices of the trumpet of the three angels, which are yet to sound!
Jamieson-Fausset-Brown
13. an angel--A, B, Vulgate, Syriac, and Coptic read for "angel," which is supported by none of the oldest manuscripts, "an eagle": the symbol of judgment descending fatally from on high; the king of birds pouncing on the prey. Compare this fourth trumpet and the flying eagle with the fourth seal introduced by the fourth living creature, "like a flying eagle," Re 4:7; 6:7, 8: the aspect of Jesus as presented by the fourth Evangelist. John is compared in the cherubim (according to the primitive interpretation) to a flying eagle: Christ's divine majesty in this similitude is set forth in the Gospel according to John, His judicial visitations in the Revelation of John. Contrast "another angel," or messenger, with "the everlasting Gospel," Re 14:6.
through the midst of heaven--Greek, "in the mid-heaven," that is, in the part of the sky where the sun reaches the meridian: in such a position as that the eagle is an object conspicuous to all.
the inhabiters of the earth--the ungodly, the "men of the world," whose "portion is in this life," upon whom the martyrs had prayed that their blood might be avenged (Re 6:10). Not that they sought personal revenge, but their zeal was for the honor of God against the foes of God and His Church.
the other--Greek, "the remaining voices."
13. an angel--A, B, Vulgate, Syriac, and Coptic read for "angel," which is supported by none of the oldest manuscripts, "an eagle": the symbol of judgment descending fatally from on high; the king of birds pouncing on the prey. Compare this fourth trumpet and the flying eagle with the fourth seal introduced by the fourth living creature, "like a flying eagle," Re 4:7; 6:7, 8: the aspect of Jesus as presented by the fourth Evangelist. John is compared in the cherubim (according to the primitive interpretation) to a flying eagle: Christ's divine majesty in this similitude is set forth in the Gospel according to John, His judicial visitations in the Revelation of John. Contrast "another angel," or messenger, with "the everlasting Gospel," Re 14:6.
through the midst of heaven--Greek, "in the mid-heaven," that is, in the part of the sky where the sun reaches the meridian: in such a position as that the eagle is an object conspicuous to all.
the inhabiters of the earth--the ungodly, the "men of the world," whose "portion is in this life," upon whom the martyrs had prayed that their blood might be avenged (Re 6:10). Not that they sought personal revenge, but their zeal was for the honor of God against the foes of God and His Church.
the other--Greek, "the remaining voices."
The Pulpit Commentary
And I beheld, and heard an angel. "An eagle" (Revised Version) is read in א, A, B, Vulgate, Syriac, Coptic, etc., while "angel" is found in P, 1, 16, 34, 47, etc. One manuscript (13) has ἀγγέλου ὡς ἀετοῦ. St. John sees one eagle, the symbol of what is swift and unerring in swooping upon its prey. Thus Job_9:26, "The eagle that hasteth to the prey" (see also Hab_1:8; 2Sa_1:23). This is the meaning of the appearance of the eagle, which announces the swiftness and certainty of the coming woes. De Wette and others unnecessarily understand "an angel in the form of an eagle." De Lyra interprets it as St. John himself. Wordsworth, relying chiefly on the force of εἶς, believes that Christ is signified; but it is extremely doubtful whether the force of the numeral can be pressed so far. Others see a reference to the Roman legions, etc. The figure may have been suggested by Mat_24:28. Flying through the midst of heaven; flying in mid heaven (Revised Version). Not "midway between earth and heaven," but "in the direct line of the sun." The word is found only here and in Rev_14:6 and Rev_19:17. In the former it is rendered as in this place, in the latter it is translated "in the sun." The eagle is thus plainly visible to all. Saying with a loud voice, Woe, woe, woe, to the inhabiters of the earth! "Woe" is followed by "inhabiters" in the accusative case, according to א, B; though the dative is read in A, P, and some cursives. "The inhabiters of the earth" are the ungodly, the worldly, those on whom God's wrath had been invoked by the saints at rest (Rev_6:10), whose prayer is now answered The triple denunciation renders the threatened judgments more emphatic and terrible. By reason of the other voices of the trumpet of the three angels, which are yet to sound; Greek, out of the other voices (denoting front whence the woe proceeds) who are yet to sound. "Trumpet," in the singular, because taken distributively—"of each trumpet." The three woes are described in
(1) Rev_9:1-11;
(2) Rev_9:12-21;
(3) Rev_11:15-19.
They perhaps refer to spiritual troubles. instead of being concerned (as in the case of the first four trumpets) with temporal judgments.
And I beheld, and heard an angel. "An eagle" (Revised Version) is read in א, A, B, Vulgate, Syriac, Coptic, etc., while "angel" is found in P, 1, 16, 34, 47, etc. One manuscript (13) has ἀγγέλου ὡς ἀετοῦ. St. John sees one eagle, the symbol of what is swift and unerring in swooping upon its prey. Thus Job_9:26, "The eagle that hasteth to the prey" (see also Hab_1:8; 2Sa_1:23). This is the meaning of the appearance of the eagle, which announces the swiftness and certainty of the coming woes. De Wette and others unnecessarily understand "an angel in the form of an eagle." De Lyra interprets it as St. John himself. Wordsworth, relying chiefly on the force of εἶς, believes that Christ is signified; but it is extremely doubtful whether the force of the numeral can be pressed so far. Others see a reference to the Roman legions, etc. The figure may have been suggested by Mat_24:28. Flying through the midst of heaven; flying in mid heaven (Revised Version). Not "midway between earth and heaven," but "in the direct line of the sun." The word is found only here and in Rev_14:6 and Rev_19:17. In the former it is rendered as in this place, in the latter it is translated "in the sun." The eagle is thus plainly visible to all. Saying with a loud voice, Woe, woe, woe, to the inhabiters of the earth! "Woe" is followed by "inhabiters" in the accusative case, according to א, B; though the dative is read in A, P, and some cursives. "The inhabiters of the earth" are the ungodly, the worldly, those on whom God's wrath had been invoked by the saints at rest (Rev_6:10), whose prayer is now answered The triple denunciation renders the threatened judgments more emphatic and terrible. By reason of the other voices of the trumpet of the three angels, which are yet to sound; Greek, out of the other voices (denoting front whence the woe proceeds) who are yet to sound. "Trumpet," in the singular, because taken distributively—"of each trumpet." The three woes are described in
(1) Rev_9:1-11;
(2) Rev_9:12-21;
(3) Rev_11:15-19.
They perhaps refer to spiritual troubles. instead of being concerned (as in the case of the first four trumpets) with temporal judgments.
THE HOLY BIBLE
Revelation
Chapter 8
Translated out of the original tongues, and with the former translations diligently compared and revised.
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